Hollywood’s often-successful approach to iconic heroes these
days seems to be to identify and retool the touchstone elements of the
character that must be included, or at least nodded at, at in order to satisfy
longtime fans that what they are seeing here IS, in fact, the character they
love.
At the same time, much is stripped away to enable the
character to fit into a recognizable 21st century reality (as with Daniel
Craig’s James Bond and Joss Whedon’s Avengers), or into some surreal
background that nevertheless reflects a 21st century sensibility (as
with Captain Kirk and Mr. Spock).
In Man of Steel, for example, a literally darkened Superman will be confronted by the American military-industrial complex.
In Man of Steel, for example, a literally darkened Superman will be confronted by the American military-industrial complex.
And the approach isn’t limited to Hollywood — the BBC gives
us an ingenious, fully realized example of the technique with its Sherlock series.
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