Neil Simon with his Odd Couple, jack Lemmon and Walter Matthau. Photo by Timothy White. |
Playwright Neil Simon learned something
from Jack Lemmon, whose range as an actor impressed him. “He is equally as
funny in one of the greatest farces ever made, Some Like It Hot, as he is moving in Days of Wine and Roses, or as touching as he is in Glengarry Glen Ross,” Simon recalled in
his memoir Rewrites. “The other
important quality Jack has in something an actor can neither learn, be directed
to do, nor buy for all the money in the world: you can’t help but like him.
“He is also appreciative and
complimentary to the written word, and if he doesn’t like it, he will play it
full out anyway and let you pick up
that it doesn’t work. He once said in an interview, ‘Neil writes in definite
rhythms and as in music, you can’t skip any of the notes. If his prepositions
and conjunctions, such as but, if, and,
or and it are left out, the music
is wrong.’
“When I heard this, I was taken
aback for a moment. I was unaware that this was true.”
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