By Dan Hagen
We meet him riding in a car down
country roads, jittery with drug withdrawal, alongside a man and a woman who
don’t think he knows they intend to kill him.
But first, the trio plans to In Cold Blood an old couple at a lonely
farm.
Tory Ingram, the addict, first
stabs the old man at the door, and then his wife in the bedroom, remembering
how she had brought him lemonade when he was working as a handyman on the farm.
Mary Maddox starts an ominous
clock ticking on the first page of her new suspense novel, Hometown Boys. And it means that Kelly Durrell, her heroine from
the excellent thriller Darkroom, is
in for more trouble.
While burying the murdered couple,
her aunt and uncle, Kelly unearths her own haunted past. Because the sexy
abuser she dated in high school is the hollowed-out man who killed them.
Back in a small Illinois town
where the gossips are eager to consider her somehow partially responsible for
the murders, Kelly returns to an uneasy relationship with a mother who refuses
to forgive her for some unstated but not unpunished crime, probably her
survival. The mother is frozen in the hostility of grief over the death of
Kelly’s younger sister. Even the fact that Kelly brings tea into her mother’s
kitchen is a cause for mild reproach.
Add to that Kelly’s continuing
economic marginalization. Out of work since the horrific events of the previous
novel, Kelly fears losing her Boulder apartment, but is equally afraid that
moving in with her police officer boyfriend may bruise their new and
provisional relationship.
Author Mary Maddox |
In 21st century
America, no crime is so heinous that someone will not get on Facebook and
publicly praise the criminal — a fact Maddox has observed and uses here. One of
Troy’s lowlife friends is defending him on social media, and she’s also
revealing embarrassing intimate facts about Kelly she learned from Troy.
Against her better judgment, Kelly
finds herself being drawn into the penumbra of a small town that’s fraying
around the edges.
In Morrison we see protracted,
familiar shadows cast across the streets of a recognizable Midwestern town,
where the years of lost economic opportunity and back-burner bitterness have curdled
into drug addiction and crime.
Once again, Maddox sketches the
sketchiness and marginality of contemporary American life in a forgotten rural
community — a Dollar Tree world where nothing matters much any more, where pleasures,
loyalties and lives prove fleeting.
“They pass a repair garage fronted
by broken and oil-stained concrete, a store selling packing materials, a store
advertising Batteries of Every Variety, a collapsing gas station with holes
where the pumps used to be, a grade school with a cyclone fence hemming a
cramped playground that contains monkey bars, a swing set and a slide pocked
with rust. Jefferson Avenue
reminds her of a vine with its leaves shriveled or wilting.”
Schemes surround the millions of
dollars worth of farmland left by Kelly’s aunt and uncle. A suspicious death is
quietly ignored by the authorities. And a storefront that’s a cover for a drug
operation — the ironically named Trophies Unlimited — fits somewhere into this crepuscular
picture.
The police are compromised. The
murders mount. Like some unwanted and dangerous animal, the darkness has
followed Kelly home.
The moments of brutality are
balanced by the evocative clarity of Maddox’s description. A well-dressed woman
at a rural funeral “flashes like bling in a dirt road.” Kelly’s childhood
church “…feels empty, as though most of her memories have been moved into
storage.”
Occasionally, Maddox even washes
away the weariness and dirt of humanity for us, letting us sense the solid,
enduring values still buried somewhere in the weary Midwestern land.
An Illinois two-lane highway
“…aims straight and flat toward its vanishing point. Sun-soaked fields of corn
and beans fan open toward the horizon. A windbreak of trees cuts a hard line
between two fields. Bright cylinders of grain silos, triangle roofs atop
rectangle farmhouses, and a blue expanse above — a landscape of geometry and
sky.”
The mistrust mounts, the shadows
lengthen and the reader is blindsided by a hard, sudden turn. The Illinois
prairie has rarely seen this much suspense since North by Northwest.
Thanks for the kind review of Hometown Boys, Dan.
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