I dream in my dream all the dreams of the other dreamers.
And I become the other dreamers…
Now in a moment I know what I am for, I awake.
— Walt Whitman
Walt Whitman was subject to kenshō, that spontaneous state described by Dumoulin as “… an insight into the identity of one’s own nature with all of reality in an eternal now, as a vision that removes all distinctions.”
“He had shared the experience of countless people, irreligious by common standards, who had flashes of illumination or ecstasy — even Caliban saw the clouds open and ‘cried to dream again,’” Justin Kaplan wrote. “These experiences have a remembered correlative or ‘trigger.’ With Whitman it was the sea, music, the grass, the green world of summer. The rhythm of these experiences is sexual and urgent — tumescence, climax, detumescence — but the ‘afterglow’ may last a lifetime, as it did with him, and he invited it an prolonged it through poetry; the poet was the shaman of modern society — a master of ‘the techniques of ecstasy.’”