Showing posts with label Paul Beals. Show all posts
Showing posts with label Paul Beals. Show all posts

Thursday, January 10, 2013

Surfing the Synchronicity Wave

An art piece I have always liked, by an unknown and, I believe, late artist. This, at least, will live.

By Dan Hagen
Is the universe connected on some dimensional level of which we’re ordinarily unaware?
The psychologist and philosopher Carl Jung thought so, and termed the phenomenon “synchronicity.” By that he meant an acausal principle that somehow links events having a similar meaning by their coincidence in time rather than sequentially — “meaningful coincidences,” in other words.
I have experienced enough of them in my life to wonder if Jung might have just been on to something, bizarre as it seems to rationalists.
Consider the way a two-dimensional being on a flat plane would perceive a three-dimensional cone being pushed through its dimension. As an expanding circle, right? What if the intrusion of higher-dimensional phenomena were to produce analogous effects for three-dimensional beings like us? What would we perceive?
Years ago, I began keeping a list of synchronistic experiences I’ve had. I offer some of them now as food for thought.
•••
Some students of synchronicity have claimed that instances are experienced more frequently when you travel. One of the most striking examples in my experience happened while I was making a rare visit to Washington, D.C., to attend a journalism seminar in January 1998.
As soon as I got into my hotel room, I called one of my oldest and best friends, First Amendment attorney Bob Corn-Revere, and told him that he’d find me in Room 326.
“That should be easy to remember,” Bob said. “Section 326 is the part of the Communications Act that deals with media freedom.”
“That’s interesting, Bob,” I said, thinking it wasn’t.
We made plans and said goodbye, and I switched on the hotel TV as I unpacked. James Bond fan that I am, I stopped channel-surfing when I spotted the 1983 film “Never Say Never Again” starring the original 007, Sean Connery.
At that moment, Bond was introducing CIA agent Felix Leiter to a beautiful female companion whom he called, “Agent 326.”
Okay, okay, I thought. Clearly the universe was shouting the number “326” at me.
The only trouble was, of course, that I had no idea what it meant.
I was later amused to learn that Secret Agent 326 is the hero of Fritz Lang’s famous silent film “Spies.”
By the way, another strange coincidence on that trip concerned the fact that while I was in D.C., President Bill Clinton was not 40 miles from my home in central Illinois. Air Force One literally became stuck in the mud there, in Champaign, IL, just as the “mud” of the Monica Lewinsky scandal was breaking.
•••
On the afternoon of Wednesday, March 27, 2006, I went to Midgard Comics in Charleston and checked my subscription bag. I noticed that next to mine was a bag for someone named “Adam Hall” — the famous pen name for my great friend and mentor, novelist Elleston Trevor.
•••
At about 1:30 p.m. Aug. 9, 2004, I was at the Elizabeth Titus Memorial Library in Sullivan, reading an article in a national news magazine about dreaming. I started to nod off for a moment, and while half-dreaming, thought about Dr. Glen Gabbard, a psychoanalyst I know. Reading on in the article, I came across a quote from Gabbard himself.
•••
At 7:20 a.m. Feb. 15, 2005, I bought a light jazz tape at Wal-Mart and listened to the first song, ‘Let’s Fall in Love,’ wondering what the lyrics were. As I switched off the tape, I heard the radio playing a feature profile of Harold Arlen on NPR’s Morning Edition. The story detailed how he came to write ‘Let’s Fall in Love,’ and included a singer performing the lyrics.
•••
At 5:40 a.m. Thursday, Dec. 15, 2005, I was walking my Dalmatian in the winter dark and thinking about my just-published synchronicity column and the trickster motif. At that moment, a streetlight directly over our heads went off. I stopped and was reminded of the Jack Lemmon character in “Bell, Book and Candle,” a warlock who did that trick. We continued down the street and, a minute later, the light came back on.
At 9:30 a.m. that same morning, I was pulling into the McDonald’s drive-up in Sullivan and still thinking about the trickster motif. I had to wait on a Honda Accord that had pulled in just ahead of me, and noted that, staring at me from the back of the car, were decals of Felix the Cat and the Joker — both trickster characters.
•••
At 8:30 a.m. on Thursday, Jan. 19, 2006, I pulled into the BP service station in Charleston intending to buy exactly $8.25 worth of regular gasoline so that, with my three newspapers, the bill would come to exactly $10. I filled the tank, but could only get $8.24 worth of gas — the last penny wouldn’t go in. Inside, the attendant told me that I had gotten the last ounce of regular gas in the place. A tanker truck was just pulling in to refill them.
•••
On the evening of Feb. 22, 2003, I bought and read “The Hero Within” by Carol S. Pearson, a book which discusses psychological archetypes, synchronicity and the necessary confrontation of the conscious self with the Jungian Shadow, or repressed negative self. I napped briefly, and awoke just as an old Ed Sullivan rerun was beginning a performance of “Me and My Shadow” featuring a white soft-shoe dancer and his black “shadow.”
•••
On July 15-17, 2004, I read about the Thunderbird, Indian mythological shapeshifter who grants power in dreams, in a Sullivan High library book during school board meeting. Next day at the film “I, Robot,” I saw a trailer for the film “The Thunderbirds.” My friend Karen Binder highly recommended Neil Gaiman’s novel “American Gods” to me that day, so I bought the book and discovered that the Thunderbird is a character in it.
•••
On Wednesday, March 28, 2007, at 7:25 a.m., while walking our Dalmatian, I was thinking about "Marlowe," a private eye movie I had just seen and the cult of the
tough guy, which I admire. I was also wondering to what extent it's all bullshit. Just then, I glanced at a white pickup truck owned by a guy with whom I'd had
a run-in (after our Dalmatian had left him a small present). The brand of the tool box in the back of his pickup was "Tough Guy II."
•••
On Sunday, Jan. 8, 2006, at 3:50 p.m., I was attending the film “Munich” with Mary Maddox when I spotted, in the row in front of me, a young man I recognized from somewhere, After thinking about it a few minutes, I realized that I had seen him in a graduation poster at my friend Paul Beals’ Big Picture office. One of the photos in the poster showed him wearing a cheese hat on his head. I didn’t mention the incident to anyone.
The next morning, I told Paul that I had seen someone I recognized at the movies. Before I could tell him anything else, Paul told me confidently that it was the boy with the cheese on his head, wasn’t it? He said he had seen the picture quite clearly in my mind.
•••
What does it all mean? Anything? Nothing? I don’t know, but it does seem that you can sometimes hear the faint laughter of a cosmic trickster somewhere in the background.
Here’s what I’ve gathered of the apparent “rules” of synchronicity — and sometimes serendipity — from research.
1. Pay close attention to people you run into by accident. Listen to what they tell you, or say what pops into your mind. You may have a message for them, or they for you, or both.
2. The more you notice meaningful coincidences, the more they multiply.
3. If you are having a particular problem, decide to turn it over to synchronicity. That means letting it go completely.
4. Always trust even when outward appearances seem bleak. That's when something is happening behind the scenes.
5. Anger and frustration stops synchronicity.
6. Travel increases instances of synchronicity.

Tuesday, July 10, 2012

From Long Ago and Not Far Away, a Star Piece

By Dan Hagen
Starting the day with a surprising message from a stranger can be one of life’s little pleasures.
It was this: “ABOUT YOUR 1977 REVIEW OF ‘STAR WARS’ IN THE TIMES-COURIER. I'll bet that's the strangest subject line you'll see today, at least from someone in Pittsburgh.”
Luke Skywalker painting by Tom Carlton
The message was from Dave Malehorn, a columnist for the Pittsburgh Post-Gazette. While working up a column on the 35th anniversary of the film, he asked his brother Steve to look up some local background and ran across my review.
Actually, I had forgotten that I ever wrote a review of “Star Wars” at the age of 23, when I was working as a reporter for Betty Boyer and Bob Themer at the Charleston Times-Courier. It was, after all, 35 years ago. But I’ll never forget my first experience of that movie.
Paul Beals, Marta Ladd and I walked into one of the two now-vanished Mattoon movie theaters and emerged into the evening two hours later dodging laser fire, swinging swords made of light and virtually vibrating like tuning forks. I think we knew we’d seen a film that would define a decade.
Dave said, “Steve went to microfilm archives at Booth Library to learn just when the film ran at the Will Rogers in summer, 1977 (July 15-August 11th, thus ‘held over’ three times, for a total of four weeks; I would have bet good money it was more).”
“I think your concluding comments about romantic ideals are right on the money, and shed light on this phenomenon,” Dave said. “From your column July 15th, 1977:
“The fact that the public has been captivated by the picture… makes it clear that Lucas’ thoroughness and dedication (‘Star Wars’ took four years to make) has produced something that can reach the child within the adult and bring him out to play.
"The movie shares two of the magnetic appeals of romantic fiction. It awakens, for a brief period, our sense of personal efficacy. Our ideals are noble and we need not even question them. We have only to get on with the action. And despite the terrible odds, we know we are capable enough to have a fighting chance at realizing our ideals.
"The other romantic element the film evokes is that staple of science fiction, the sense of wonder. As some point in our childhood, most of us believe the world to be vast and full of great potentials, of marvelous sights and heroic challenges. For the majority of us, who are not fortunate enough to retain this eager appetite for life through to adulthood, a movie like ‘Star Wars’ serves to remind us just how good it felt.”
My opinion at the time was influenced by Ayn Rand’s book “The Romantic Manifesto,” and, although my ardor for Rand has cooled since the experience of the Bush-Cheney presidency revealed her political ideas to be heartless, disastrous bunk, I haven’t changed my opinion of the movie.
In retrospect, it’s clear that the American audience — having been battered by the necessary but dispiriting revelations of the Vietnam War and Watergate — was thirsting to drink deep at the well of romanticism, and so “Star Wars” came along at the perfect moment. They continued to swim happily in that well with “Superman,” Indiana Jones and so forth.
And I'll bet King Features still smarts over the fact that they didn't let Lucas do “Flash Gordon,” which would have been “Star Wars.”



Saturday, April 28, 2012

Paul '76

A photo I took of Paul Beals in the year we met, 1976.
He's looking out the window  of an apartment on the Charleston square
that I shared with Robert Corn-Revere.