My parents and grandparents knew
the Shadow well, but had never seen him, having listened to his adventures as
an invisible superhero on radio in the late 1930s through the early 1950s. I’d
also heard references to the character on television (When TV writer Rob
Petrie’s wife Laura began acting mysteriously, he accused her of disappearing “…like
Lamont Cranston.”)
From the Shadow's subsequent indignities. |
Archie Comics had acquired the
comic book rights to the Shadow, and I recognized John Rosenberger’s
magazine-sleek art from the company’s other two superhero titles, The Adventures of the Fly and The Adventures of the Jaguar. The cover
depicted the Shadow in traditional pulp magazine form, lurking hawk-nosed in a
cape and slouch hat. But inside he’d been “modernized,” and not always to good
effect.
Following President Kennedy, the
men of the era had discarded their hats, and the Shadow followed the fashion.
Now a prettified blond with three
identities, he used his role as millionaire playboy Lamont Cranston as a cover
for his activities as an American secret agent (James Bond had just become
immensely popular). And his spy missions were a cover for his superhero
activities, an identity he assumed simply by slipping on a black cloak and
“blending into the shadows.” No one else knows he’s the Shadow, not even his
girlfriend Margo Lane.
His vaguely defined powers
included stealth, ventriloquism and a kind of super-hypnotism, and his opponent
was his recurring arch-foe from the pulps, Shiwan Khan, restyled as a Bondesque
freelance spy villain. The Shadow also displayed a hint of 007’s ruthlessness,
hurling one of Khan’s henchmen down a shaft to his apparent death.
Not as good as the pulp or radio
Shadows and disjointed, but not terrible. In later issues, however, penned by
Superman creator Jerry Siegel, the character would hit bottom — tricked up in a
superhero’s mask and tights, and armed with gadgets that would have embarrassed
even Batman (a “power beam,” “weakness gas,” boot-heel jumping springs, and so
forth).
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