Andrew Kruep as Huckleberry Finn and Gilbert Domally as Jim. News-Progress photos by Keith Stewart. |
Well, you dad gum guv'ment
You sorry so and so's
You got your damn hands in every
pocket
Of my clothes
Well you dad gum, dad gum, dad
gum, guv'ment
Oh, don’t I, you know
Oh, don’t you love 'em sometimes
— “Guv’ment” from “Big River”
By Dan Hagen
“Big River” is a show with big
heart that delivers big entertainment.
What could be more natural — and
trickier — than marrying the American popular art form of the musical with what
a considerable number of people have called the greatest American novel, “The
Adventures of Huckleberry Finn?”
Mark Twain’s 1884 novel became a
successful Broadway musical precisely 100 years later, running for more than a
thousand performances. The Little Theatre’s production, directed and
choreographed by Kelly Shook, succeeds on the strength of its exemplary cast.
But the mood is set before the
cast arrives by Alex M. Gaines’ set, a multi-level, riparian thing that gives
the effect of rough-hewn, weathered wood, with a tattered back curtain that opens
to reveal a river scene. Part of the set detaches to become a raft that moves
smoothly from picaresque adventure to moral crisis.
The show isn’t overburdened with
songs the way some are, and packs a considerable dramatic punch thanks to
Twain’s genius. The Roger Miller songs — stylized bluegrass, country and gospel
tunes — are all effective, some soaringly so.
Highlights include:
• Huck Finn (Equity actor Andrew
Kruep), Tom Sawyer (Mike Danovich) and others singing “The Boys,” a
high-spirited evocation of the good-natured bloodthirstiness of young men. “If
the bunch of us all stick together, and we all go down as one,” they sing. “We
could be highway robbers. We could be killers just out to have fun.”
• Michael Weaver as Huck’s
sociopathic, alcoholic father Pap. Weaver exploits the best role he’s had at the
Little Theatre in a while, sliding slyly from poignance to menace, and ranting
musically about the guv’ment’s designs on the money he hasn’t got. I’m
surprised the song isn’t a Tea Party anthem.
• Equity Actor Martin C. Hurt as
the Duke and John McAvaney as the King, two who chew their scenery with relish.
The conmen shine in “When the Sun Goes Down in the South,” drawing Huck into
their dance, and again in “The Royal Nonesuch,” drawing the rubes into a faked
transgender freak show.
It’s fun, although a little
disheartening in a way, to see how much of Twain’s social satire still hits
home on American culture — the self-righteous evildoers, the gullible lowbrows
who’ll swallow any nonsense that’s dished up for them, the American eagerness
to grovel for “royalty,” whatever that is. They’re all still too much with us.
• The powerful voices of Chrissy
Harmon as Alice’s Daughter and Gilbert Domally as the runaway slave Jim.
Harmon’s gospel star turn is in “How Blest We Are,” and Domally has four or
five strong numbers. Perhaps my favorite is “Worlds Apart,” the song in which
he and Huck confront the deep wonder of their friendship. Domally and Kruep
elevate the moment to a genuine frisson for the audience.
Kruep as Huck and as Mike Danovich as Tom Sawyer |
• Best of all, Andrew Kruep as
Huckleberry. It can’t be easy for an adult to play a young teenager, but you
wouldn’t know it from watching Kruep, whose boyish charisma and mischievous energy
radiate from the stage.
Kruep is a sly wink, a happy step,
a sudden smile, and he’s Twain’s great moral hero, made all the greater because
he doesn’t know it. Huck has been told by the churchgoing slave owners that
abolitionists are Satan’s henchmen and slavery is good, and he believes it. So
when he decides that what the hell, he’ll help his friend Jim escape anyway, he
thinks he’s condemning himself to hell. Consider the moral power of the fate Huck
is willing to accept with a shrug.
Why? Huck explains, as best he
can, in a song that reminds us of another brave American sailor. “Oh, I,
Huckleberry, me,” he sings. “Hereby declare myself to be. Nothin' ever other
than … Exactly what I am.”
And that’s more than enough for an
evening of great enjoyment.
Incidental intelligence: “Big
River: The Adventures of Huckleberry Finn,” a musical with a book by William
Hauptman and music and lyrics by Roger Miller, runs through June 29 at the
Little Theatre.
The show has lighting design by
Greg Solomon, costume design by Malia Andrus, sound design by Patrick Burks,
stage management by Jeremy J. Phillips and musical direction by Kevin Long. The
cast includes Josh Houghton (as Mark Twain), Connie Mulligan, Emily Rhein, John
Cardenas, Brady Miller, Andy Hudson, Andy Frank, Sidney Davis, Niko Pagsisihan,
Haley Jane Schafer, Hanah Rose Nardone, Emily Bacino Althaus, Megan E. Farley
and Gabriel Alonzo Smith.
For tickets, call The Little
Theatre On The Square Box Office at 217-728-7375.
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