When I was a small boy, I had a vivid dream about a TV set that would play whatever you wanted, whenever you wanted. You just pushed large buttons bearing the faces of various TV characters. And so it came to pass…
Now, settle down at home any evening and you can summon up any television program that aired any given night since network broadcasts began in 1947 — hell, any movie that people once stood in line to buy tickets to see since the silent era, for that matter.
It’s the next best thing to time travel.
The sheer volume of choice we have now mocks our ability to take it all in.
I, a child of the 20th century, will never fail to be astounded at what children of the 21st century must certainly regard as commonplace and really rather dull.
But then, biplanes, refrigerators, air conditioning, radio broadcasting, moving pictures and horseless carriages amazed my grandparents and great-grandparents. Not me.
We strangers simply accept whatever strange land we’re born into, however strange it may be.
As Johnny Williams recalled, “When Neil Armstrong took his famous first step, my maternal grandmother said to me, ‘When I was a little girl, there were people still using horse-drawn wagons. Now I’ve seen a man walking on the moon. I’ve seen a lot.’ She had such a look in her eyes and such a sound in her voice.”
“This came up the other day, but really we are getting everything we saw on The Jetsons, even more,” remarked Pat McDonald “Yeah, no flying cars ... yet. Another interesting observation that someone else made about The Jetsons, all of their buildings are on sticks and platforms, presupposing that the ground level had become inhabitable (due to climate change?).”TV producer and author Patrick Hasburgh observed that “…the connectivity and synergy of film and television … is suddenly — and at once — both magical (and) commonplace in our culture. Everyone is famous, everyone knows everyone, our stories are everywhere; not only can I watch my favorite film or television show whenever I want, I can, if I’m pressed for time, just watch favorite scenes of hear bits of my favorite dialogue.
“This overload might kill the art form, we’re gorging ourselves. Movies used to be so special — are they still as special? I wonder.
“Anyone with a few thousand dollars and script can make a decent movie with a bunch of their buddies — I think that’s the future of film and TV. My kid makes amazing surf films, edited with music and action — I’ve never told him how to do it and he’s never asked. It’s just what he can do, with his iPhone or a video camera. In 10 seconds he knows how to use it and where to point it.”
“I think what I am trying to say is that the artist, the amateur, the auteur with only passion and an idea will save the form — those little indie movies you stumble across, often brilliant and just minutes long, might be where all of this is going. I’m often knocked out by the brilliance, accessibility and simplicity of some of the work. That's not to suggest it isn’t complex; it very often is.”
“I think within 10 years or less we will be able to write movies on our computers, pounding out scenes at AI will instantly produce with likeness and tone, music, etc... we will be able to conjure up anything.”
“We’ll always have Casablanca, The Maltese Falcon, etc. as sign posts to the possible re: film making,” Williams said. “Even with modern tech, while many may be able to make decent movies, ‘classics that stand the test of time’ is another matter.
“While AI is a threat, I’m pulling for ‘art’ to somehow win out. We still marvel at prehistoric cave paintings.”
